In 1672, the old ramparts of Marseille, remnants of a siege from just a decade prior, were torn down. They were deemed insufficient for the city’s protection. In their place, a new wall began to rise, tripling the area within the city walls. This new construction, however, had less to do with military might and more to do with taxes. This new wall marked the boundary of a new urban plan, a plan that would forever reshape Marseille. The Rue des Fortifications, which we stand before today, tells the story of that transformation. It represents a physical manifestation of the growth and ambition of 17th-century Marseille. This new wall, which the Rue des Fortifications follows the path of today, wasn’t meant to repel armies. Instead, it was a fiscal boundary, a way to control the flow of goods and, of course, collect taxes. Inside, the city was taking on a new form thanks to Nicolas Arnould. He envisioned a grid-like pattern of streets centered on a grand avenue. This avenue connected two new squares near the Porte d’Aix to the north and the Porte de Rome to the south. This was a city designed for expansion, a city ready to welcome new residents, particularly the bourgeois and working-class inhabitants spilling out from the crowded old town. Even architect Pierre Puget contributed to this urban renewal, designing an additional public square. Work on this square, started in 1689, continued for almost a century, finally completing around 1780. The Rue des Fortifications thus marks not only a physical boundary but also a symbolic one. It separates the old Marseille, a city crammed within its medieval confines, from the new, a city embracing expansion and a modern, planned layout. It speaks to a period of growth and transformation. This growth was driven in part by Colbert’s decision to transform Marseille’s port into a major arsenal for galleys. This required substantial expansion of the port facilities and, consequently, the city itself. So, as you walk along the Rue des Fortifications, imagine the bustle of a city under construction, a city pushing beyond its old limits, a city becoming the Marseille we know today.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to