In 1980, a pivotal year for the Cinemateca Portuguesa – Museu do Cinema, the institution achieved autonomy. This marked a significant step in its journey from a collection within the Estado Novo regime to a champion of Portuguese and global film heritage. The Cinemateca Portuguesa, nestled in Lisbon, opened its own film theatre that same year. Daily screenings brought cinematic treasures to the public. The Cinemateca Portuguesa’s commitment to preservation took a leap forward in 1996. A modern conservation center was established on Lisbon’s outskirts. This became the hub for preservation, technical research, and embracing new technologies. The Cinemateca Portuguesa played a crucial role in uniting European film preservation efforts. Its involvement in international programs, such as the LUMIÈRE Project based in Lisbon, solidified its commitment to safeguarding cinematic history. The Cinemateca Portuguesa is a long-standing member of the International Federation of Film Archives (FIAF), joining in 1956. This membership underscores its international importance in film preservation. A fire in 1981, ignited by a film reel, tragically destroyed the Cinemateca Portuguesa’s cinema. This incident highlights the delicate nature of film preservation and the constant threat to these invaluable cultural artifacts. But the Cinemateca Portuguesa persevered. It was later renovated and expanded, reopening in 2003 with two cinema halls, an expanded library, a photo archive, museum spaces, and even a bookshop and restaurant. Today, the Cinemateca Portuguesa stands as a testament to the dedication of individuals like Manuel Félix Ribeiro. It continues its mission to preserve and celebrate the magic of cinema.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to