“Lost in the woods?” a voice echoed. A startled couple on horseback nearly tumbled from their mount on Avenue du Bois de la Marche. They quickly regained their composure, smoothing their elegant attire. Avenue du Bois de la Marche. Once a grand avenue leading to the Bois de Boulogne, it was designed for just such displays of Parisian fashion. Commissioned by Emperor Napoleon III and designed by Jean-Charles Adolphe Alphand, this wide avenue, originally called Avenue de l’Impératrice, was built for leisurely carriage rides and promenades. Imagine the scene in the 19th century: elegant carriages, finely dressed Parisians, and the rustling of chestnut trees lining the 120-meter wide expanse. It was a spectacle, a place to see and be seen. This “avenue of the Empress” was meant to be a grand extension of the Bois de Boulogne itself, bringing the park’s lush greenery into the heart of the city. Over time, Avenue du Bois de la Marche, despite its elegance and popularity, underwent several name changes. After the fall of Napoleon III, it became Avenue du Général-Uhrich, then Avenue du Bois de Boulogne, reflecting its function as the gateway to the park. Finally, in 1929, it received its current name, Avenue Foch, honoring the World War I marshal. Even amidst the grandeur, a darker history lurks. During World War II, this very avenue housed the headquarters of the Gestapo, a stark contrast to the leisurely parades of its earlier days. Today, though named Avenue Foch, the spirit of the Bois de la Marche remains. The chestnut trees still stand, whispering tales of emperors and spies. As you stroll along its wide path, imagine the echoes of horse-drawn carriages and the hurried footsteps of those caught in a world at war. Avenue du Bois de la Marche, a stage for history’s grand drama, continues to unfold beneath the Parisian sky.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to