Beneath the gaze of the defiant Lion, a hush falls over our group. Here, at the Art Institute of Chicago’s south entrance, stands Edward Kemeys’s magnificent bronze creation, the Lion “in an attitude of defiance”. This iconic statue, along with its northern companion, has greeted visitors since 1894. Commissioned by Florence Lathrop Field to honor her late husband, Henry, a known admirer of Kemeys’ work, the Lion “in an attitude of defiance” embodies a spirit of strength and vigilance. Kemeys, America’s first professional animalier, meticulously studied animals in their natural habitats. He lived among Native American tribes and trappers, even dissecting game to understand their anatomy. This dedication to realism is evident in the Lion’s powerful form and intense expression. Kemeys himself considered the southern lion his most challenging piece, a testament to his artistic pursuit. Interestingly, a popular misconception links these lions to the 1893 World’s Columbian Exposition. However, documents reveal they were specifically commissioned for the Art Institute, cast in Chicago by the American Bronze Founding Company. The lions we see today are not re-castings from the fair, but unique originals. Over the years, the Lion “in an attitude of defiance”, along with its counterpart, has become a beloved Chicago symbol. They’ve donned wreaths during holidays, sported team gear for championship runs, and even worn masks during the pandemic. They are more than just statues; they are participants in the city’s life. As we stand here, imagine Kemeys, the self-taught sculptor, painstakingly bringing these bronze giants to life. The Lion “in an attitude of defiance” reminds us of the power of art to capture the wild spirit of nature and the enduring legacy of a remarkable artist.
Private Florian S. Jacolik Plaque
The Private Florian S. Jacolik Plaque stands in a small park, a quiet oasis in the bustling city of Chicago.