Beneath the Istanbul sky, nestled between Lüleci Hendek Caddesi and Yüksek Kaldırım Caddesi, stands the Hasan Ağa Çeşmesi. This unassuming fountain holds a story as refreshing as its waters once were. Hasan Ağa Çeşmesi, also known as the Yazıcı Çeşmesi, is more than just a stone structure. It’s a portal to 17th-century Istanbul, a time when the Ottoman Empire flourished. Built in 1649 by Hasan Ağa, the head chef, or “Matbah Emini,” to the Sultan himself, Mehmet IV, the Hasan Ağa Çeşmesi speaks volumes about the era’s values. This wasn’t merely a place to quench thirst. It was an act of charity, a testament to Hasan Ağa’s piety and desire to serve his community. The main facade, facing Lüleci Hendek Caddesi, is crafted from cut stone, showcasing the classic Ottoman architectural style. Imagine approaching this fountain. You see the rectangular marble mirror stone, framed and unadorned, reflecting the sky above. Above the mirror stone, a recessed arch frames the fountain’s inscription. Penned by the renowned calligrapher Şir Ahmet Cevheri, the inscription begins with a dedication to Hasan Ağa, highlighting his charitable act. Another, smaller mirror stone graces the side facing Yüksek Kaldırım Caddesi. Originally, a wooden awning sheltered the fountain, protecting it from the elements. Sadly, this awning has vanished, leaving the stone exposed. The fountain’s basin, or “tekne,” has also disappeared, lost to the passage of time. Look closely at the inscription. It speaks of Hasan Ağa’s desire to earn divine favor by providing water for the poor. It also mentions Yahya Ağa, a high-ranking official who likely supported the fountain’s construction. The inscription even includes a chronogram, a clever way of encoding the construction date, 1649, within a poem. While the water may no longer flow freely from Hasan Ağa Çeşmesi, its story continues to refresh the soul, reminding us of the enduring power of generosity and community spirit in the heart of Istanbul.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to