“Lost sheep?” a passerby chuckled, seeing me staring at the seemingly ordinary alley. “Not quite,” I replied, “I’m looking for the Allée des Bergères.” The Allée des Bergères, a small passage in Paris’s 9th arrondissement, may appear unassuming at first glance. But like many hidden corners of this city, it holds a story. This unassuming passage, tucked between the bustling Rue du Faubourg-Montmartre and Rue Bergère, isn’t named for actual shepherdesses, despite its pastoral-sounding name. It owes its name to Jean Bergier, a master dyer. In 1825, this passage was constructed under the name “Passage Montmartre,” reflecting the nearby Rue Montmartre. However, in 1842, it was renamed Allée des Bergères, likely due to its proximity to Rue Bergère. The street’s namesake, Jean Bergier, held a lease from the Hôtel-Dieu for farmland along the main road to Montmartre. This connection to a dyer and farmland reveals a glimpse into the area’s past, when the city limits blurred with the surrounding countryside. While the Allée des Bergères may not boast grand monuments or opulent architecture, it offers a quiet respite from the city’s hustle and bustle. Its narrow passage, lined with buildings that have witnessed centuries of Parisian life, invites a moment of reflection. Imagine the footsteps of those who once walked this path: the master dyer Jean Bergier, perhaps, or the residents of the bustling neighborhood. Today, the Allée des Bergères stands as a testament to the layers of history hidden within the city’s fabric. It may be a small, easily overlooked passage, but it offers a unique charm and a connection to a less-remembered past.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to