Who was the “People’s Mayor”? Here at the George Moscone Bust, we explore the life of a man who championed inclusivity. George Moscone, San Francisco’s 37th mayor, believed in representing all voices. The bust, crafted by Spero Anargyros and unveiled in 1994, captures Moscone’s vision. It stands as a reminder of his commitment to diversity. The pedestal bears Moscone’s own words: “San Francisco is an extraordinary city, because its people have learned to live together with one another, to respect each other, and to work with each other for the future of their community. That’s the strength and beauty of this city – it’s the reason why the citizens who live here are the luckiest people in the world.” But this bust isn’t the only artistic representation of Moscone. A more controversial bust by Robert Arneson, created in 1981, was ultimately rejected by the city. Arneson’s work included not only Moscone’s likeness but also references to his assassination, including the murder weapon, Harvey Milk’s simultaneous death, the “Twinkie Defense,” and the White Night riots. The city deemed it too provocative for public display. Moscone’s legacy, however, extends beyond artistic representations. He appointed significant numbers of women, LGBTQ+ individuals, and racial minorities to city commissions. He stood up for the rights of the disabled. He supported a 25-day occupation of San Francisco’s federal building. This occupation, known as the 504 Sit-in, played a part in paving the way for the Americans with Disabilities Act. Tragically, Moscone’s life was cut short at age 49. He was assassinated in City Hall by former Supervisor Dan White, just three days after his birthday. The George Moscone Bust serves not just as a memorial to a fallen mayor but as a symbol of his enduring belief. A belief in a city where everyone has a voice.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to