“A church that looks like a barn?” someone whispered as we approached the imposing structure. Yes, my friends, Saint Anselm’s Church does have a unique charm. Built in the 1930s upon the unfinished dreams of its predecessor, Saint Anselm’s Church stands as a testament to resilience. The original church, envisioned before the turmoil of World War I, was to be a grand design with a Latin cross plan and an elaborate dome. Alas, the war shattered those dreams, leaving the project abandoned for years. Finally, in the 1930s, Saint Anselm’s Church rose again. This time, however, simplicity reigned. Constructed from London stock brick, its basilica-inspired design reflects a more austere aesthetic. Despite its lack of ornate embellishments, Saint Anselm’s Church holds a captivating presence. Step inside, and you’ll find yourself beneath timber king post roof trusses, the vast space bathed in the soft glow filtering through the clerestory windows. Look closely at the arcade capitals – those cushion-shaped wonders are adorned with intricate carvings of plants and animals by the talented A.H. Gerrard. And don’t miss the carved font, a masterpiece by Derrick Frith. But Saint Anselm’s Church holds more than architectural intrigue. In 1971, the artist Norman Adams, a Royal Academician, graced its walls with murals depicting scenes from John Bunyan’s “The Pilgrim’s Progress.” As you admire these vibrant works of art, remember that you stand within a space imbued with history, a testament to the enduring spirit of faith and community.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to