Gazing upon the Árpád-házi Szent Erzsébet-templom, do you sense the echoes of history whispering through its stones? This magnificent neo-Gothic structure, also known as the Erzsébetváros Parish Church, stands proudly in Budapest’s seventh district, near Rákóczi út, gracing the Rózsák tere. The Árpád-házi Szent Erzsébet-templom isn’t just a beautiful building. It represents the growth and resilience of a community. In 1881, the newly formed seventh district, Erzsébetváros, built a small, eclectic church on the north side of what was then called Szegényház tér (now Rózsák tere). Designed by Czigler Győző, it served its purpose for a time. But Erzsébetváros was booming. The small church quickly became inadequate. Recognizing the need, the Catholic Church acquired the central plot of the square. In 1889, a committee was formed to oversee the construction of a grander Árpád-házi Szent Erzsébet-templom. The chosen architect was Imre Steindl, renowned for his work on the Hungarian Parliament Building. His neo-Gothic design was approved in 1892, beating out proposals from Pecz Samu and Aigner Sándor. Construction of the Árpád-házi Szent Erzsébet-templom began in 1893. Emperor Franz Joseph I himself laid the foundation stone on October 20, 1895. Imagine the scene. The emperor, surrounded by dignitaries, placing the stone that would anchor this magnificent edifice. The church was finally consecrated on May 16, 1901, and placed under the patronage of Saint Elizabeth of the Árpád dynasty. The district continued to flourish, and in 1918, a separate congregation bearing Saint Elizabeth’s name was established. In 1932, a statue of Saint Elizabeth by József Damkó was erected in the square, commemorating the 700th anniversary of the saint’s death. The square was also renamed Rózsák tere, after Saint Elizabeth’s attributes. The Árpád-házi Szent Erzsébet-templom has endured through turbulent times. It suffered bomb damage during World War II, requiring extensive restoration work completed in 1949. Decades of neglect followed, leading to significant deterioration. By 1995, the church had received landmark status, paving the way for a complete renovation. This meticulous restoration, including the surrounding park, concluded in 2004, with the interior finally completed in 2007. The Árpád-házi Szent Erzsébet-templom’s twin towers reach 76 meters, its width is 21.6 meters, and its total length is 62 meters. The church covers 1800 square meters and can accommodate nearly 2600 people. Steindl’s design blended French Gothic traditions with modern techniques. The yellow pressed brick walls contrast beautifully with the carved stone used for the towers and cornices. The natural slate roof adds a touch of elegance. The terracotta elements were produced by Zsolnay Vilmos in Pécs. Steindl even collaborated with him to develop the material later known as pyrogranite. Inside, the Árpád-házi Szent Erzsébet-templom is strikingly austere. The triple nave is supported by ornate columns, and the neo-Gothic ornamentation was painted by Adolf Götz. Although the original stained-glass windows were destroyed in World War II, the church still holds many treasures. The pulpit, adorned with reliefs of the four evangelists, was crafted in Hauszmann Sándor’s workshop. The gilded wooden altars in the transepts, with biblical scenes painted by Gyula Aggházy and Lóránt Zubriczky, are particularly noteworthy. Additional altars, featuring sculptures by Ede Mayer and Miklós Köllő, are nestled in the chapels beneath the stair towers. The main altar, a masterpiece of marble, onyx, and bronze, is crowned by a gilded tabernacle. The tabernacle itself is surrounded by statues of Hungarian saints and blesseds, created by Lajos Lantay. Behind the altar lie five sacristies and oratories above. The stained-glass windows of the sanctuary are the work of Miksa Róth.
MOM Kulturális Központ
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