“Saulssayes,” a child’s voice echoed, mispronouncing the name of the Allée des Saulssayes. We stand now at this quiet passage, a name that whispers of a past less known than the grand avenues of Paris. The Allée des Saulssayes may be a modest pathway, but its proximity to power is undeniable. Just a stone’s throw from here is the Place Beauvau, home to the Ministry of the Interior. This quiet Allée des Saulssayes has borne witness to the ebb and flow of French history. Imagine the comings and goings of the Comte de Ségur, Napoleon’s master of ceremonies, who resided at number 10 Rue des Saussaies. This very street, a mere 50 meters long, connects Place Beauvau to Place Saussaies. The Allée des Saulssayes, therefore, sits at the edge of this historical stage. The weight of history presses down upon this area, particularly during the dark days of World War II. Number 11 Rue des Saussaies, so close to this very spot, became the headquarters of the Gestapo in occupied Paris. The air here must have been thick with fear and tension. After the war, the same building housed the Ministry of the Interior and the Sûreté nationale. A stark contrast to this somber past is the sweet melody of music. At number 22 Rue des Saussaies, the renowned French composer Francis Poulenc was born in 1899. Perhaps his early years were filled with the sounds of Parisian life echoing from this nearby Allée. The Allée des Saulssayes, a quiet lane, a hidden passage, a silent observer to history, both grand and tragic.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to