Nestled in Rio de Janeiro’s North Zone, Vigário Geral’s story is a blend of vibrant life and dark shadows. Vigário Geral isn’t just a name on a map. It’s a place where the echoes of history resonate, a community forged in the shadow of both triumph and tragedy. Vigário Geral’s origins are tied to the railway. The story goes that the Vicar General of the Irajá parish used the train to travel from the city center. He would disembark at Velho Engenho Station, now known as Vigário Geral. From there, he’d continue on horseback to the church, built in the 17th century, next to the Irajá Cemetery. This route became known as “Estrada do Vigário Geral.” This road gave the neighborhood its name. In the 1940s, the construction of Avenida Brasil bisected this historic road. The section connecting to Irajá was later renamed Aníbal Porto. Vigário Geral’s growth began in the late 1930s with the first land division. By the late 1940s, a favela had sprung up alongside the Leopoldina railway line, also taking on the name Vigário Geral. In the 1950s, part of the Fazenda Botafogo was divided, creating Jardim América. Vigário Geral continued to develop with housing projects. In 1966, the Padre José de Anchieta housing project was inaugurated. Later, in the 1970s, the Vigário Geral housing project followed. Though primarily residential, industries like Paskin Cia. Ltda. and Freitas Leitão Ind. e Com. set up shop here. Driven by residents’ concerns over pollution, these factories eventually closed. Today, Vigário Geral has become a hub for wholesale and retail trade in imported goods from China. This includes items like tableware, plastics, glassware, and school supplies. Tragically, Vigário Geral is also known for the 1993 massacre, a dark chapter in its history. This event left an indelible scar, forever intertwined with the neighborhood’s narrative. Yet, Vigário Geral is more than its tragic past. It’s a testament to resilience, a community that continues to thrive amidst complexity.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to