Orgues de Flandre VI

Look closely, directly in front of you, rise two imposing buildings. These are the Orgues de Flandre V and VI, a striking example of 1970s brutalist architecture in Paris. Designed by German architect Martin Schulz Van Treeck, they stand as a testament to his vision of creating spaces for people, not just for housing. These buildings have been given the name “Orgues de Flandre” because of their unique architectural style, reminiscent of the pipes of a grand organ. You see, the towers are made of staggered volumes, creating a visual effect similar to that of a traditional church organ’s structure. But the Orgues de Flandre are not just about striking visuals. Notice the balconies – their generous cantilevers, inspired by origami, provide a sense of unique space and airiness for inhabitants, a radical departure from the standard apartments of that time. The architects also incorporated numerous windows, providing natural light and airy interiors for every apartment. And the honeycomb glass windows? A subtle nod to the traditional barrel organs that once filled Paris with music, these windows are both functional and a visual treat. These buildings reflect a story of resilience, as they were erected on the site of the “City of the Flemings,” a former workers’ housing estate built in the mid-19th century. The original entrance gate of this estate remains, now tucked between the Orgues de Flandre, a physical reminder of the history that came before and the vibrant community it once housed. The Orgues de Flandre V and VI represent a fusion of architectural style and urban renewal. They are a testament to a time when architects dared to break away from traditional norms and create social housing that was both functional and beautiful.