Gazing upon the Çinili Cami, can you envision the grand han that once fueled its existence? This “Tiled Mosque,” nestled in Üsküdar, whispers tales of a powerful woman, Haseki Mâh-Peyker Kösem Valide Sultan. She, the wife of Sultan Ahmed I, commissioned this architectural gem in 1638. Imagine the bustling scene as workers toiled for two years, finally unveiling the mosque in 1640. Çinili Cami is more than just a place of worship. It’s a testament to Kösem Sultan’s influence and a vibrant piece of Ottoman history. The mosque’s name, Çinili Cami, literally translates to “Tiled Mosque.” This name isn’t arbitrary. Step closer, and you’ll be mesmerized by the exquisite Kütahya tiles adorning its walls. These tiles, bursting with blues, turquoises, and greys, depict a symphony of tulips, peonies, and hyacinths. They offer a glimpse into the classical period of Ottoman art, a time of flourishing creativity and exquisite craftsmanship. Look closely at the intricate patterns. You’ll notice inscriptions woven into the tilework. These inscriptions, like hidden messages from the past, add another layer of depth to the mosque’s story. Çinili Cami is a feast for the senses. The vibrant colors of the tiles, the cool touch of the marble minbar, and the echoing whispers of history create an immersive experience. But the Çinili Cami’s story doesn’t end within its tiled walls. It extends to a külliye, a complex encompassing a fountain, a madrasa, a mektep (primary school), and even a double hammam. These structures, each with its own story to tell, enrich the narrative of Çinili Cami and paint a vivid picture of life in 17th-century Istanbul. Kösem Sultan’s legacy lives on, not just in the grandeur of the mosque but also in the enduring beauty of its tiles. The Çinili Cami stands as a reminder of her power and vision, a testament to the enduring artistry of the Ottoman era.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to