Morro da Muzema

“Is that Morro da Muzema?” a young boy whispered, pointing towards the peak. His father nodded, “Yes, son, that’s the one. Morro da Muzema.” Our journey to Morro da Muzema begins in the shadow of its imposing presence. This peak isn’t just a geographical landmark. It’s a place woven into the fabric of Rio de Janeiro. It’s a place of stories, some whispered, some shouted. Morro da Muzema is more than a mountain; it’s a community. Several smaller communities actually, including Muzema proper, Angu Duro, Morro do Sossego, Morro Dona Dalva, Sítio Vitória, Regata, and Cambalacho. Even as far back as 1983, the first residents’ association was established in the Muzema area with the support of the Catholic Church. The mountain itself is referenced in Stanislaw Ponte Preta’s fictional work “Febeap – O Festival de Besteira que Assola o Paés”. It’s described as a small, peaceful neighborhood near Barra da Tijuca, under the jurisdiction of the 32nd District Police Station. But peace doesn’t always last. In 2016, the newspaper O Globo reported on a series of irregular constructions in Morro da Muzema. Some were even in environmentally protected areas. The community has faced its share of tragedy and turmoil, marked by the devastating collapse of two buildings in April 2019. The incident resulted in casualties and injuries, casting a long shadow over the area. The fight for control of the territory between militia and criminal factions has also led to intense shootouts, further adding to the complexities of life in Morro da Muzema. As we stand here, looking up at Morro da Muzema, we’re not just seeing a mountain. We’re seeing a community grappling with its history, its challenges, and its hopes for the future.