Lost in Fennpfuhl Park stands Zwiesprache, a sculpture frozen in a silent dialogue. What secrets do these stones whisper?
Zwiesprache, created by Jürgen Pansow, is more than just an artwork. It is a statement from 1987. Zwiesprache translates to “Dialogue” or “Conversation”. Yet, the sculpture evokes a sense of speechlessness. It reflects a feeling towards increasing technologization.
Let’s examine this sculpture closely. Zwiesprache consists of two stone blocks. They are stacked upon each other. The base is almost square. Geometric signs cover it. Above, two “busts” face each other.
Notice the eastern head. It bears human features. This is the face of a man. He holds his left hand to his mouth in dismay. He stares at a cubic form. It stands opposite him. The form’s sides are smooth. Where a shirt might be, there are rows of knobs. One row is vertical. The other is diagonal.
Between these figures stands a cylinder. It appears to be a technical object. The faceless form doesn’t communicate. The man with his hand raised seems equally unable to speak.
Zwiesprache was created during a symposium in 1987. The symposium took place in Berlin-Buch. It was the 2nd International Berlin Sculpture Symposium. The theme was “Poetry of the Big City”. All artists used Reinhardtsdorfer sandstone.
Initially, the sculptures were intended for a different location. There was a misunderstanding in the press. A publication falsely stated they would be displayed at a garden show in Marzahn. The sculptures were erected in Fennpfuhl Park in 1988. Zwiesprache was originally placed near a department store. It stood at the top of the stairs leading to the registry office.
Around 2011 or 2012, Zwiesprache was moved. It was relocated to its current spot. This area used to house the Seeterrassen restaurant. The move happened during renovations.
Observe the artist’s signature. You can find “P / 87” below the human head. A metal sign provides more information. It is on the western base. It reads: “ZWIESPRACHE / Jürgen Pansow – DDR / Sandstein 1987”. DDR refers to the German Democratic Republic.
Some believe Zwiesprache represents the meeting of man and computer. This interpretation connects to the sculpture’s theme. It highlights the conversation or lack thereof. It questions our relationship with technology.
The sculpture has suffered some damage. The ears of the human head are partially missing. Despite this, Zwiesprache remains complete.
Consider the materials. The figures are made of sandstone. The foundation is cement. These materials add to the sculpture’s weight. They highlight its connection to the earth.
Zwiesprache invites contemplation. It prompts us to think about communication. It makes you think about technology. It encourages us to ponder the human condition. It asks us: Are we truly conversing or just coexisting in silence?