Why did they call him “Milchling”? Here at the Wappenstein in Nuremberg, this question hangs in the air as thick as the scent of gingerbread from the nearby Christkindlesmarkt. This Wappenstein isn’t just a stone. It’s a portal to 1609. It’s a story etched in stone, featuring two prominent figures of the Teutonic Order. The Wappenstein showcases the coats of arms of Johann Konrad Schutzbar, also known as Milchling, and Wilhelm von und zu der Hees. The stone, originally part of a doorway, served as a proud declaration of the Order’s presence in Nuremberg. Johann Konrad Schutzbar, Landkomtur of the Franconian Bailiwick from 1606-1612, also held the title of Komtur of Ellingen and Nuremberg. His fellow knight, Wilhelm von und zu der Hees, served as the House Komtur of Nuremberg from 1609-1610. The Wappenstein, dated 1609, freezes this moment in time. The detailed inscriptions beneath each coat of arms tell us their titles and lineage, offering a glimpse into the hierarchy of the Teutonic Order. But the nickname “Milchling,” meaning “milk suckling,” adds a layer of intrigue. Was it a term of endearment or derision? Was he known for a milky complexion, a gentle nature, or perhaps a fondness for milk? The stone remains silent, leaving us to ponder the mystery. The Wappenstein isn’t just a historical marker. It’s a testament to the power and influence of the Teutonic Order in Nuremberg. It’s a puzzle, a whisper from the past, inviting us to delve deeper into the stories behind the names and titles carved into its surface.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to