Overlooking the Forbidden City, Wan’ An Hill stands as a silent observer. It has witnessed centuries of history unfold. Wan’ An Hill isn’t just a hill. It’s a man-made marvel, formed from the earth excavated during the creation of the Forbidden City’s moats and nearby canals. Imagine the sheer manpower and animal power required to move all that earth during the Ming Dynasty’s Yongle era. Now, picture this: five peaks crown Wan’ An Hill, each adorned with an elegant pavilion. These pavilions weren’t just for decoration. Officials used them for meetings and leisurely gatherings. These peaks also align with Beijing’s historical central axis, a testament to the meticulous planning of the city. Wan’ An Hill has also been called Feng Shui Hill due to its placement north of the Forbidden City. Feng shui principles traditionally favored locations south of a hill for protection from negative energy. The hill was rumored to hold a secret stash of coal for the emperors, earning it the nickname Coal Hill among locals. In 1644, Wan’ An Hill witnessed a tragic event. The Chongzhen Emperor, the last Ming Dynasty ruler, hanged himself from a tree here after Li Zicheng’s rebel forces captured Beijing. Until 1928, Wan’ An Hill was part of the Forbidden City’s private imperial garden, accessible only through the Gate of Divine Might. The construction of New Jingshan Street separated the hill from the Forbidden City, making it accessible to the public. Today, Wan’ An Hill is a vibrant community hub. It’s common to see people, especially the elderly, enjoying activities like dancing, singing opera, and performing kuaiban, a traditional rhythmic storytelling art. As you stand here, at the foot of Wan’ An Hill, imagine the echoes of history whispering through the trees.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to