A lone traveler, weary from the road, stumbled upon the Wallfahrtskapelle Maria Alber. He had heard whispers of a “church in the trees” on his journey, a place of peace and solace. Could this be it? The Wallfahrtskapelle Maria Alber stood before him, a small but beautiful baroque structure nestled amongst the trees. It was a curious blend of architectural styles, with its four rounded apses and an octagonal lantern atop its copper-domed roof. He stepped inside, captivated by the stories whispered through the ages within those walls. The Wallfahrtskapelle Maria Alber, he learned, owed its existence to a humble act of faith. In 1686, a Bavarian toll collector named Arnold Schwenkh, stationed at the nearby Lech River crossing, placed a replica of the Altötting Madonna image inside a hollow tree. This simple act drew people seeking solace and prayer. Schwenkh, recognizing the growing devotion to the “Altötting Mother of God,” erected a small wooden chapel around the tree. He laid the foundation stone for the current Wallfahrtskapelle Maria Alber just a year before his death in 1693. The chapel, completed in 1694, became a testament to his faith and a beacon for pilgrims seeking comfort and hope. Even today, the Wallfahrtskapelle Maria Alber, though surrounded by the expanding city, offered a tranquil escape, a sanctuary where the whispers of faith echoed through the centuries.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to