Was this opulent villa always intended as a sanctuary of peace? Let your gaze fall upon Villa Gutmann. It stands here, in all its grandeur, whispering tales of a rich and tumultuous past. The story of Villa Gutmann begins humbly in 1779 as a simple colonist’s house. Its journey to becoming the magnificent structure before us is paved with ambition, artistry, and a touch of tragedy. Around 1900, the villa underwent its first transformation under the ownership of Dr. Ernst Heller from Berlin. He enriched the estate with a carriage house, a stable which stands to this day, and what was likely one of the region’s first tennis courts. But the villa’s most dramatic chapter unfolded in 1914 when it became the home of Herbert Max Gutmann, his wife Daisy, and their three children. Herbert, a prominent figure in the banking world and son of Dresdner Bank founder Eugen Gutmann, envisioned a home that reflected his family’s stature. The year 1918 saw Herbert embark on an ambitious renovation project. Under the guidance of renowned architect Reinhard Mohr, Villa Gutmann transformed into the architectural marvel we see today. Mohr, a student of Theodor Fischer and a collaborator with Paul Bonatz, infused the villa with a unique blend of styles. One of the villa’s most captivating features is the “Arabicum.” This two-room annex housed a historical room Herbert acquired in Damascus. Imagine stepping back in time as you picture the intricate Syrian wooden panels from the 18th century. These panels, along with the ceiling decorations, windows, and even a women’s gallery, create an atmosphere unlike any other. The “Arabicum” is a rare treasure. Only four such rooms are known to exist outside of the Orient, each a testament to a bygone era of cultural exchange. Tragically, Herbert’s story, much like the villa’s, takes a somber turn. The banking crisis of 1931 led to his removal from the Dresdner Bank Supervisory Board. With the rise of the Nazi regime, Herbert, targeted for his Jewish heritage, was forced to relinquish his remaining positions and flee Germany in 1936. He died in England in 1942. Today, Villa Gutmann stands as a reminder of the Gutmann family’s legacy. It’s a place where architectural grandeur intertwines with a poignant history. As you stand here, let the echoes of the past wash over you, and appreciate the enduring spirit of this remarkable villa.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to