A peculiar whisper echoed through the square, “Do you hear the trumpets calling?” Right here in Milan, the Tuba Mirum, a bronze statue composed of old trumpets, stands as a silent testament to a powerful sound. It’s not a musical instrument, but a monument, a unique piece of art. The Tuba Mirum captures the spirit of Mozart’s Requiem, specifically the “Tuba Mirum” section. Mozart’s original intention, as seen in his manuscript, was for a dramatic, even terrifying sound, reflecting the Day of Judgement described in the text. He marked the tempo “Andante” in 2/2 time, underlined for emphasis. Yet, many modern interpretations play it slowly, almost mournfully, missing the urgency Mozart intended. The “Tuba Mirum” section describes a trumpet scattering a wondrous sound through the graves, summoning all before God’s throne. Mozart likely envisioned the trombone, with its solemn, underworld associations, representing this trumpet call from below, echoing through the sepulchers. The text speaks of a wondrous sound, not a wondrous trumpet. The wonder lies in the effect of the sound, the awe and fear it inspires, not the instrument itself. Think of Michelangelo’s “Last Judgement,” the dead rising from their graves at the sound of trumpets. That’s the dramatic power Mozart likely aimed for. Sadly, Mozart died before completing the Requiem, and later editors added dynamics and slurs, softening the piece. The Tuba Mirum statue, though silent, seems to embody that lost drama. Its bronze trumpets, frozen mid-blast, hint at a power that transcends a gentle melody. It’s a call to judgement, a reminder of mortality, a wondrous sound echoing across time. It reminds us that even in silence, a story can be told, a powerful message conveyed.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to