In the heart of Dorchester, a captivating tale unfolds at The Parish of All Saints. The year is 1879. A grieving Oliver and Mary Peabody, prominent Boston Unitarians, journeyed to King’s Chapel. A heavy snow began to fall. Their driver, concerned, suggested his church, The Parish of All Saints. The Peabodys agreed, finding solace in Father Bennitt’s sermon about the Holy Innocents. The sermon resonated deeply with their recent loss. The following Sunday, they returned to The Parish of All Saints, staying for the entire service. Touched by the experience, Colonel Peabody made a generous donation. This marked the beginning of their devoted relationship with The Parish of All Saints. They embraced the Episcopal faith, and Colonel Peabody’s financial acumen and leadership soon landed him on the vestry. The Parish of All Saints was growing rapidly. It needed a larger space. It was the Peabodys who suggested a young, 26-year-old architect named Ralph Adams Cram. The Parish of All Saints became Cram’s first major commission. The Peabodys generously financed the construction of the $100,000 church. Built with Quincy granite and Nova Scotia limestone, The Parish of All Saints was consecrated in 1895. The church’s cornerstone was laid in 1892. The first service was held on December 27, 1893. The Parish of All Saints stands at 209 Ashmont Street in Dorchester, Massachusetts. The church boasts stunning architectural details, including wood carvings by Johannes Kirchmayer and stained glass by Charles Jay Connick. The Parish of All Saints continues to thrive today. The church is a testament to the Peabodys’ enduring legacy and Cram’s architectural vision. It serves as a spiritual home for a diverse community, offering both traditional and contemporary worship services. The choir, a vital part of the church’s history, continues to enrich the worship experience. The Parish of All Saints remains a beacon of faith and architectural beauty in the heart of Dorchester.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to