On a crisp autumn day in 1980, a man named Mark David Chapman checked into The Olcott Hotel. This seemingly ordinary event became a footnote in a tragic story. Chapman’s stay at The Olcott, along with stays at the Waldorf Astoria and the YMCA, preceded his assassination of John Lennon just a short distance away. The Olcott itself has a history as captivating as its infamous guest. The Olcott Hotel, a stately presence on West 72nd Street, first opened its doors in 1930. Built by the Lapidus Engineering Company beginning in late 1925, it was one of several structures rising on 72nd Street between Central Park West and Columbus Avenue. The sixteen-story building, constructed with a blend of steel, gold-colored tapestry brick, and limestone, originally offered 227 suites. While lacking full kitchens, each apartment included a serving pantry equipped with modern conveniences like mechanical refrigeration and circulating ice water. The Olcott boasted amenities such as a rooftop playground, sun parlors, a billiard room, and a ground-floor dining room. Its location offered unobstructed views of the Dakota apartments’ gardens, a selling point for the hotel’s management. Over the decades, The Olcott has housed a diverse array of residents. From wealthy clothiers to Broadway enthusiasts, each resident has woven their story into the fabric of the building. One resident, George Mayer, was known for his unbroken streak of attending Broadway first nights for nearly five decades. Another, Antonina Marco, experienced both the misfortune of a robbery and the thrill of narrowly escaping another heist in Miami. In 1976, the sixteenth floor became home to the Manhattan Bridge Club, later joined by the Gotham bridge club across the hall. The Olcott even had a brief brush with Hollywood, appearing in a scene in Martin Scorsese’s 1976 film “Taxi Driver.” By 1980, The Olcott, managed by Eugene Fishbein, offered a mix of rent-stabilized and market-rate units. While long-term residents enjoyed relatively affordable rents, newer tenants, often from abroad or the entertainment industry, paid a premium for shorter stays. The Olcott, originally designed as a residential hotel, offered its residents services like maid service, bridging the gap between apartment living and hotel stays. This unique arrangement persisted for decades, even as other similar establishments converted to traditional apartments. As late as 1992, The Olcott remained a haven for those seeking a convenient, service-inclusive living experience. Among its residents were entertainer Tiny Tim and ballerina Nina Youshkevitch. Eventually, The Olcott’s era as a residential hotel ended in 2005 with its conversion to condominiums. The building stands today as a testament to a bygone era of New York City living, its walls echoing with the stories of the countless lives that have passed through its doors.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to