Gazing at this curious structure, have you ever considered the hidden life pulsing beneath our feet? This, my friends, is The Moon in Alabama: Lampertswalde, one of eleven transformed electrical boxes near Münster’s main station. The Moon in Alabama: Lampertswalde isn’t just a sculpture. It’s a story woven into the urban fabric by artist Tobias Rehberger in 2014. Rehberger, known for his vibrant installations, saw these grey boxes as “non-places,” blind spots in our perception. He envisioned transforming these overlooked utilities into something engaging, a place to pause and connect with the city. The Moon in Alabama: Lampertswalde, like its siblings, is encased in a colorful, pipe-like structure, inviting passersby to sit and observe the urban bustle. But there’s a whimsical twist. Atop the sculpture sits a “moon,” a round lamp that illuminates only when the moon rises over Lampertswalde, a village in Saxony, Germany. This playful connection links Münster to locations around the globe, each sculpture paired with a different city. It’s a reminder of the invisible networks that connect us all, a global system overseen by Rehberger’s miniature moons. The Moon in Alabama: Lampertswalde is a testament to the power of art to transform the mundane into the magical. It reminds us to look closer, to see the extraordinary in the ordinary, and to appreciate the hidden connections that bind us together.
Lepramuseum
Silent witness. The Lepramuseum stands before us, a solemn reminder of a time when leprosy cast a long shadow over