A towering figure of St Michael slaying a dragon greets you. This is St Michael’s RC Church in Glasgow. Its imposing presence on Gallowgate speaks volumes. It’s more than just a place of worship. It’s a testament to faith and architectural innovation.
St Michael’s RC Church wasn’t always this striking structure. The current building designed by Alexander McAnally stands proudly. It replaced an earlier temporary church. The land was acquired much earlier in 1921. Reginald Fairlie even drafted plans for a grander church in 1934. But delays stalled the project. It wasn’t until the mid-1960s that McAnally’s vision took shape.
The church built between 1966 and 1969 is a fascinating blend of styles. It’s traditional in its layout yet distinctly modern Gothic in its design. It draws inspiration from Scandinavian church architecture. This results in a unique visual appeal. The repeated use of triangular arched openings is its defining feature. These are seen in windows doors and even in the altar area.
Observe the stunning statue of St Michael. This massive sculpture is a focal point. It’s cast in synthetic stone. Jack Mortimer a renowned sculptor designed it. Sadly Mortimer passed away in 1961 before the church’s completion. Yet his vision lives on. The statue itself was cast after his death. When the church opened in 1970 it was the largest freestanding sculpture in the west of Scotland. A testament to artistic vision that transcends time.
Step inside St Michael’s RC Church. You’ll discover many original 1960s fixtures. Notice the ceiling lights and pews. Their distinctive diagonal timberwork is impressive. Also admire the circular patterned glass. This detail repeats throughout the church. The interior walls are cream brick. A beautiful cedarwood ceiling adds warmth. The triangular motif continues inside. It appears in the chancel arch apse and communion rail. The sanctuary floor and altar showcase three types of marble. A detail worthy of close examination.
St Michael’s RC Church is a remarkable building. It reflects a specific time in Glasgow’s history. It shows the interplay between tradition and modern design. More than simply a place of worship it is an enduring work of art. It is a fascinating blend of faith and architectural brilliance.