Whispers of rebellion and echoes of monastic chants still linger at St. Mary’s Parish in Dublin. St. Mary’s Abbey, the heart of this parish, was once a powerhouse of religious and political life. Founded in 1139 for Benedictine monks, it transitioned to Cistercian hands just eight years later. Imagine the monks in their habits, pacing the very ground we stand on now, their lives intertwined with the city’s fate. St. Mary’s wasn’t just a spiritual center; it was a wealthy and influential player in Dublin’s story. Its coffers overflowed, making it the richest Cistercian monastery in Ireland, rivaled only by a few English behemoths like Furness and Fountains. The abbey’s wealth wasn’t solely from pious donations. It held unique rights, like claiming salvaged goods from shipwrecks along the Dublin coast. This power sometimes brought St. Mary’s into conflict, notably a clash with Mellifont Abbey over seniority in Ireland, a dispute St. Mary’s ultimately won. The abbey’s walls witnessed dramatic events, like the 1304 fire that ravaged the church and steeple, forcing extensive reconstruction. Years later, in 1534, within the very chapter house that still stands today, Silken Thomas dramatically flung down his Sword of State, igniting a rebellion against Henry VIII. This act of defiance marked a turning point, foreshadowing the abbey’s dissolution just five years later. The last abbot, William Laundie, surrendered St. Mary’s in 1539. Its vast wealth, valued at £537, was swiftly dispersed through the sale of its goods and chattels. The once sacred grounds were transformed into a military arsenal and the abbot’s lodgings became the temporary home of Leonard Grey, the lord deputy, before his execution for treason. The stones of the abbey, silent witnesses to centuries of history, were even used to build Essex Bridge in 1676. While much of the abbey has vanished, the chapter house remains. This octagonal space, where monks once confessed and the Council of Ireland met, offers a tangible link to St. Mary’s vibrant past. If you listen closely, you might hear whispers of Abbot Stephen Ross, absolved by the Pope for a laundry list of misdeeds, or the lament for the learned Abbot Walter Champfleur, who strived in vain to reform the Cistercian order. Their stories, like the stones of St. Mary’s Abbey, are woven into the fabric of Dublin’s history.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to