Son Boter

Did Miró ever imagine his quiet refuge would become a canvas itself? Here at Son Boter, the very walls whisper tales of the artist’s creative spirit. Son Boter, a traditional Mallorcan farmhouse from the 18th century, stands as the oldest building within the Miró Foundation. In 1959, Joan Miró, having won the Guggenheim International Award for his murals at the UNESCO building in Paris, purchased Son Boter. It became his sanctuary, a place where he could escape “bothersome neighbours” and fully immerse himself in his art. Originally intended as a sculpture studio, Son Boter evolved into much more. It became Miró’s second painting studio, a haven for his creative explorations. Later, it housed engraving and lithography studios, allowing Miró to create prints without leaving his sanctuary. But Son Boter is more than just a building; it’s an extension of Miró’s artistic expression. Wander through its rooms, and you’ll discover a unique feature: charcoal sketches adorning the walls, almost like graffiti. These figures and personnages, reminiscent of his sculptures, transform the house itself into a work of art. Like his Sert Studio, Miró infused Son Boter with his personal touch. Postcards, drawings, and objects from diverse origins create a unique atmosphere. These studios continue to thrive as creative spaces for artists, a legacy that ensures the Miró Foundation remains a vibrant hub of artistic activity. Son Boter stands as a testament to Miró’s vision, a place where the lines between life, art, and architecture blur into a beautiful, inspiring whole.