Gazing upon Schloss Aystetten, one might hear whispers of silk and the clinking of porcelain. Schloss Aystetten stands proudly, about 12 kilometers northwest of Augsburg. It has witnessed centuries of history, its walls echoing with tales of knights, monks, and merchants. Originally a medieval stronghold mentioned as early as 1428, Schloss Aystetten served as a fiefdom of the Bishop of Augsburg, entrusted to the Langenmantel von Radau family. Over the years, ownership passed through prominent Augsburg families like the Eggenbergers and Herwarths, each leaving their mark on the estate. In 1545, the monastery Heilig Kreuz acquired the property, only to sell it to Anton Fugger in 1582. Fugger, burdened by debt, sold Schloss Aystetten to the Fleckheimer family in 1615. The Thirty Years’ War brought devastation, leaving the castle in ruins. Its rebirth began in 1693 under Leonhard Carl Sulzer, who meticulously rebuilt and adorned it with stunning stucco ceilings. In 1729, Christian von Münch, a silver and exchange trader, acquired the castle. He proudly added “auf Aystetten” to his name, a testament to his deep connection to the estate. Von Münch doubled the size of Schloss Aystetten, added outbuildings, and created beautiful gardens. He established a unique Porcelain Room, a cool, airy space reflecting his love for chinoiserie. It features walls adorned with faience tiles depicting fantastical scenes of Chinese life, framed by delicate stucco work. Von Münch’s fascination extended beyond art; he planted mulberry trees and established a silkworm farm on the grounds. In 1858, Johann Paul von Stetten, owner of Stetten-Halder Bank and a descendant of von Münch, purchased Schloss Aystetten. The late 19th century saw extensive renovations and alterations. Between 1908 and 1911, Max von Stetten commissioned architect Hans Schnell to redesign the gables, add a terrace on the west side, and construct new farm buildings. Today, Schloss Aystetten remains in the von Stetten family, a legacy spanning six generations. The Porcelain Room, last renovated in 1994/95, hosts concerts and private events, its delicate tiles still whispering stories of a bygone era.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to