Gazing upon Santa Maria del Suffragio, imagine the humble beginnings of this grand structure. Santa Maria del Suffragio stands as a testament to the evolving landscape of Milan. It all began in 1577 in the rural village of Calvairate. Archbishop Carlo Borromeo envisioned a parish outside Milan’s Spanish bastions. This original church, Santa Maria Nascente, served the small community. Fast forward to 1873. Calvairate became part of Milan. The city expanded rapidly. The old church, now within city limits, fell into disrepair. It could no longer accommodate the growing population. In 1896, Archbishop Andrea Carlo Ferrari commissioned a new church. This new Santa Maria del Suffragio was dedicated on October 31, 1896. The church’s facade on Corso XXII Marzo tells a story of its own. The light stone and red brick create a striking visual. Three ogival portals, adorned with mosaics, welcome you. The central lunette depicts the Madonna and Child. Bronze doors, added in 1996, depict scenes from Mary’s life, the Annunciation, and the Holy Family. Inside, Santa Maria del Suffragio is a Latin cross. Three naves, divided by red brick pillars, stretch towards a deep choir. An octagonal tiburio, lit by Romanesque triple-lancet windows, rises above the crossing. Look for the frescoes by Aldo Carpi de’ Resmini. These works, depicting the Resurrection and Crucifixion, reflect the artist’s experiences in Nazi camps. The modern baptistery in the right transept features a Carrara marble font. Bronze inserts depict biblical scenes. The main presbytery features modern marble and bronze furnishings from 2006. Yet, traces of the past remain. The original neo-Romanesque altar now resides in the adjacent Chapel of San Proto. The chapel itself, built in 1933 to house the relics of San Proto, is worth exploring. Santa Maria del Suffragio is more than just a church. It is a living chronicle of Milan’s history, a place where the past and present intertwine.
Nuovo Cimitero di Cologno Monzese
“A timeless sanctuary,” the old woman whispered, her gaze fixed on the rows of marble within Nuovo Cimitero di Cologno