“A church older than time itself…” whispered a man, his voice heavy with awe. His companion chuckled. “Hardly, even for Milan. But San Bartolomeo Apostolo has seen its share of history.”. The San Bartolomeo Apostolo you see today, a beautiful neoclassical structure on Via Moscova, isn’t actually the original church. It replaced an older San Bartolomeo, a casualty of Milan’s relentless urban renewal in the 19th century. That older church, dating back to the 1500s, stood near Porta Nuova. It even housed a revered icon of the Madonna del Buon Aiuto. Some whispered it was a copy of a lost Cranach, donated by a countess praying for Vienna’s deliverance from the Ottomans. Imagine that – a touch of the Habsburg Empire right here! But progress, as they say, waits for no one, not even for San Bartolomeo. Yet, the spirit of the old church lives on within the new. Venture inside, and take a closer look at the neoclassical monument to Karl Joseph von Firmian. This Austrian minister, once a powerful figure in Lombardy, found his final rest here. The monument, a testament to the enduring artistry of Giuseppe Franchi, survived a tumultuous time. Removed by Napoleon’s troops, it was later restored to its rightful place after their defeat. A silent witness to shifting empires, it serves as a reminder of the many layers of history embedded in San Bartolomeo Apostolo.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to