Salvator-Kirche

Hidden within Berlin’s Lichtenrade district stands the Salvator-Kirche. It’s a place where the echoes of history whisper through its red brick walls. The story of Salvator-Kirche begins in the early 20th century with a vision. A vision shared by Monsignore Theodor Grabe, who spearheaded the construction of the nearby Christophorus Children’s Hospital. He dreamed of a spiritual haven to complement the hospital’s healing mission. In 1920, renowned architect Bernhard Hertel, known for his work on the Cologne Cathedral, crafted the initial design for Salvator-Kirche. Sadly, Hertel passed away in 1927 before his vision could fully materialize. The project was then entrusted to Josef Bischof. Bischof, a Berlin architect, embraced the project, incorporating elements of the Heimatschutzarchitektur style. This style emphasized traditional building materials and regional architectural influences. The church’s construction began in 1930. The Salvator-Kirche’s design is a fascinating blend of architectural styles. The exterior boasts red brick walls, a hallmark of the Heimatschutzarchitektur. Inside, the church reflects a neo-Baroque aesthetic. The two-aisled hall church features a four-bay nave, culminating in a 5/8 choir. The tower, positioned beside the choir, stands as a silent guardian. A subtle nod to southern German Baroque influences can be seen in the arcade pillars adorned with pilasters, baroque capitals, and cornices. These details offer a touch of elegance to the otherwise simple interior. The church’s construction faced financial setbacks during the 1930s. Only the choir and the two adjoining bays were initially completed. The church was blessed in 1933, serving as a subsidiary of St. Elisabeth Church. It wasn’t until 1956, under the guidance of architect Heinrich Kosina, that the Salvator-Kirche was fully realized and consecrated. Inside, the high altar with its towering columns commands attention. The altarpiece, depicting Salvator Mundi, is a work of Gebhard Fugel. Its Nazarene style adds a touch of artistic flair. Baroque paintings from the 17th century flank the altar area. These depict Saint Hedwig and Saint Anthony, adding a historical dimension to the space. The baptismal font, dating back to the mid-18th century, stands as a testament to the church’s enduring presence. The Salvator-Kirche’s story is one of perseverance, resilience, and community. It stands not only as a place of worship but also as a symbol of hope and healing for the Lichtenrade district.