Sala Mirador

Did you know there’s a place in Madrid where tomatoes can be a sign of disapproval? It’s called the Sala Mirador. This unique venue is not just any theater. It’s a place where the line between performance and reality blurs. It’s a place where the audience holds the power, not just through applause, but also through the satisfying splat of a well-aimed tomato. Sala Mirador is more than a theater. It’s part of the Centro de Nuevos Creadores, a vibrant hub of artistic expression. This center encompasses the Cristina Rota School of Interpretation, Producciones Cristina Rota (PCR), and the Centro de Nuevos Creadores Foundation. Sala Mirador itself is a testament to Cristina Rota’s vision, extending her school’s reach beyond traditional acting into a wider spectrum of creative arts. The Sala Mirador was founded in 1984. Originally, it served as Madrid’s first permanent puppet theater. It was established by Carmen Heymann and Servando Carballar. Now, Sala Mirador is known for its commitment to nurturing emerging talent in theater, music, and visual arts. Under the direction of actor and director Juan Diego Botto since 2013, Sala Mirador operates under a powerful motto: “When Parliament is a theater, the theater must be a Parliament.” This philosophy is evident in their programming, which tackles social and political issues head-on, inviting audiences to engage in collective reflection and discussion. One of Sala Mirador’s most famous events is the “Katarsis del Tomatazo.” This unique cabaret-style performance turns the traditional audience-performer dynamic on its head. A good performance earns applause, a bad one, a shower of tomatoes. Sala Mirador is easy to get to, conveniently located near several bus and metro stations. It boasts a total capacity of 170 people. Its intimate setting, with 108 tiered seats ensuring good visibility for all, further enhances the connection between the audience and the performers. The Sala Mirador. It’s a space where art challenges, provokes, and entertains, where tomatoes fly, and where the future of performance takes center stage.