In 1962, a unique sanctuary rose in Studio City. This was Saint Michael and All Angels Episcopal Church. It was a testament to progressive ideals and a tribute to the power of modern architecture. The congregation, seeking a space that mirrored their forward-thinking beliefs, commissioned architects A. Quincy Jones and Frederick Emmons. These renowned architects were known for their thousands of modern-style houses and civic designs. Their church designs, however, held a special place in their portfolio, admired for their dramatic flair. Saint Michael and All Angels Episcopal Church was no exception. The church showcases the architects’ innovative use of design and materials. The building is dominated by enormous glue-laminated wood beams. These beams, anchored to large concrete piers, soar forty-six feet high, spanning the nave and creating a palpable sense of tension. A shingled, A-frame-like roof rises from low eaves to meet the beams. A series of skylights at the apex bathe the interior in natural light. The gables and front and rear facades are essentially giant expanses of glass. This further illuminates the warm, wood-clad interior. Saint Michael and All Angels Episcopal Church remains a vibrant hub for its congregation. It stands as a powerful example of modern ecclesiastical design. It is a unique blend of form and function, reflecting the progressive spirit that brought it into being.
Tujunga Spreading Grounds
Hidden in plain sight, the Tujunga Spreading Grounds is more than just a patch of land. It’s a hidden reservoir,