Step across the threshold of Roman Viktyuk Theatre and you’ll find yourself transported to a world where art transcends boundaries. Located in a building on Stromynka Street, a landmark of constructivist architecture in Moscow, this theatre is a testament to the visionary spirit of its founder, Roman Viktyuk. Founded in 1991, this theatre became a state theatre in 1996, moving to its current location.
Imagine the energy that crackled in the air on opening night, with Roman Viktyuk’s “M. Butterfly” taking centre stage. It was a bold vision, a performance that set the tone for the unconventional, boundary-pushing productions to come. Viktyuk had established himself as a captivating figure in the theatre world before founding this theatre, having worked at venues in Lviv, Kyiv, and Kalinin (now Tver). In the 1980s, he moved to Moscow, where he began to make his mark. Viktyuk’s work at the Satirikon Theatre with Jean Genet’s “The Maids” was extraordinary, with all roles played by male actors. It was a revolutionary performance, a whirlwind of artistry that captivated audiences worldwide.
Inspired by Alexander Tairov’s approach, Viktyuk forged his own distinctive style, a marriage of expressiveness and captivating syncretism. Choreography, music, opera, poetry, and drama – all woven together on the fabric of his productions. You can almost feel the passion of the actors, their bodies becoming instruments of a heightened language, a language that transcends words. The theatre continues to flourish, despite the passing of its visionary founder in 2020. Today, its repertoire boasts 28 performances, which includes “Le Puttane,” “Salome,” “The Master and Margarita,” and “Phaedra.” Each a testament to Viktyuk’s legacy, a testament to the enduring power of art to inspire and provoke.