Pilatushaus

Did the Pilatushaus always have such a biblical name? No. The Pilatushaus in Nuremberg, also known as the “House of the Man in Armor,” stands before you. It’s a striking example of late Gothic architecture. The Pilatushaus has a rich history, dating back to 1489. It was originally built for Hans Grunwald. He was an armor blacksmith, or “Plattner.” This explains the house’s alternative name and the statue of St. George. The statue, perched on the southeast corner, depicts the saint in full armor, triumphant over a dragon. St. George was the patron saint of the armorers’ guild. This likely explains the statue’s prominent placement. It served as both a religious symbol and an advertisement for Grunwald’s craftsmanship. The Pilatushaus changed hands several times after 1507. One notable resident was Hans Freiherr von und zu Aufses, the founder of the German National Museum. His family coat of arms, dating back to 1853, still adorns the entrance. But how did the Pilatushaus get its biblical name? In the 17th century, the house became associated with the “Way of the Cross of Christ.” This series of bas-reliefs by Adam Kraft led to the St. John’s Cemetery. The Pilatushaus was considered the starting point of this poignant pilgrimage. This association led to the building being renamed “Pilate’s House.” The Pilatushaus isn’t just historically significant. It’s also architecturally impressive. The seven-story structure features a sandstone first floor. The remaining three main floors and three attic levels are built using half-timbered technology. An octagonal bay window with a pointed roof-turret crowns the building. Today, the Pilatushaus belongs to the city of Nuremberg. It now hosts temporary exhibitions of contemporary art, offering a fascinating blend of old and new. The Pilatushaus in Nuremberg truly offers a glimpse into the city’s rich past and vibrant present.