Penghao Theater

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Beneath Beijing’s vibrant pulse lies a haven for theatrical innovation. This is the Penghao Theater. It is Beijing’s pioneering privately run theater. Imagine a space where creativity thrives. It is a beautifully restored hutong house. This building exudes a bohemian charm.

Penghao Theater began with a simple yet profound passion for theater. Wang Xiang and his partner saw a void. Most theaters leaned toward conservatism or pure entertainment. True creators lacked a stage. Penghao Theater emerged to fill that gap. It is a place where artistic expression knows no bounds.

Wang Xiang juggles roles. He is a dentist with three clinics. He was a pioneer in dental implants in mainland China. His love for Japan deepened his connection to the theater’s mission. He wants the Penghao Theater to impact society. He wants to cleanse hearts through art.

The Penghao Theater welcomes you like a home. Once a private residence, it retains a cozy atmosphere. Tables, chairs, food, and beverages invite you to relax. Yet, it also houses a performance space. This blend creates a unique environment. It is a place for creativity, work, conversation, or simply unwinding.

Penghao Theater’s budget reflects its independent spirit. The annual operating budget is around two million RMB. Performance costs range from 40,000 to 80,000 RMB. Small, independent theater companies often grace its stage. Around 50 plays are performed each year totaling about 240 stages. Wang Xiang contributes a third of the budget from personal funds. He even sold a house and mortgaged another. He is dedicated to keeping the theater alive.

Since 2010, the Penghao Theater has hosted the Nanluoguxiang Performing Arts Festival. It uses several venues. The aim is to encourage people to experience the arts. It also fosters exchange among artists from China and abroad. The festival features experimental theater, dance, music, and poetry. Workshops, lectures, and film showings enrich the experience. The Penghao Theater supports artists without expecting compensation.

Penghao Theater extends beyond China’s borders. It welcomes international artists. Un Yamada impressed with her strength during a performance. Sangatsu showed strong group bonds. These artists present open worlds through their art. The theater hopes to inspire Chinese artists. It wants to encourage them to pursue their creative activities.

The Penghao Theater has collaborated with the Swedish director Mathias Lafolie. He directed Chinese actors in Strindberg’s “The Pelican”. The staff included Swedish and Chinese members. The Penghao Theater champions openness. It believes that closing off to the world leads to rigidity. It hopes to broaden the Chinese awareness.

Many Chinese artists are conservative. Few offer truly inspiring work. Theater has lost its strength. It is now mostly entertainment. Wang Xiang seeks to revive the questioning spirit. He wants to promote progressive performance art.

Penghao Theatre is located in Dongmianhua Hutong. You can find it near the ICBC bank. A small sign guides you down a tiny alley. It is a place to encounter a rich variety of domestic and foreign works. It wants to continue to be experimental. The Penghao Theater strives to be a cradle for progressive performance artists.

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