Intriguingly, the Pavilion of the Ancient Flowers isn’t actually adorned with ancient flowers. Instead, its name whispers of a Yuan Dynasty play, “Pavilion of a Hundred Flowers (Baihuating).” The pavilion’s connection to the play emerges on a rare Yuan Dynasty porcelain fragment. This fragment depicts scenes from Baihuating, a love story woven around the courtesan He Lianlian and her lover Wang Huan. Imagine them meeting secretly in the shadows of the baihuating, a pavilion very much like the one before you, the Pavilion of the Ancient Flowers. The porcelain fragment, painted in vivid cobalt blue, captures a pivotal moment. He Lianlian and her maid are in a courtyard, perhaps near a similar pavilion. On the reverse, Wang Huan, disguised as a fruit vendor, rushes towards her. His basket carries two flags inscribed with “on a romantic errand” and “steadfast and persistent… pavilion.” This scene embodies the play’s romantic core, a tale of love against the odds. The Pavilion of the Ancient Flowers stands as a quiet echo of this dramatic history. While the pavilion itself may not date back to the Yuan Dynasty, the story it evokes connects us to that era. It’s a reminder of the power of art to capture the human experience, from grand historical events to the intimate moments of a secret rendezvous. The porcelain fragment acts like a time capsule. It transports us to the vibrant world of Yuan Dynasty theater, with its witty illustrations and complex narratives. It invites us to imagine the Pavilion of the Ancient Flowers, not as a static structure, but as a stage for timeless tales of love and intrigue.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to