Is that a bell I hear? That sound comes from the Panagias Tower. The Panagias Tower stands tall. It is a testament to faith and history here in Rhodes. The Panagias Tower is not just a bell tower. It is part of the Church of Panagia in Lindos.
Let’s step closer to the Church of Panagia. The church is an enchanting sight for all visitors. The Panagias Tower is its most prominent feature. It is a high-rise stone structure. It is typical of Rhodian churches. You will notice the tower’s design. It reflects the Dodecanese style.
The Church of Panagia has a long history. It was originally built in 1300. Grand Master Pierre d’Aubusson ordered a reconstruction. He was a Knight of Rhodes. This happened between 1476 and 1503. Another restoration occurred in 1927. This was during the Italian occupation.
Now consider the tower’s role. The Panagias Tower serves as a campanile. This means it is a bell tower. It calls the community to worship. Its bells have echoed through Lindos for centuries.
The main church building is also special. It has a cross-shaped plan. An octagonal dome sits on top. The walls are whitewashed. The roof is made of red Byzantine tiles.
Inside the church is beautiful. The pavement features a pebble mosaic. It is called hohlaki. This is common in Rhodian architecture. A wooden iconostasis stands at the front. It is richly decorated. A Bishop’s throne is also present. Bronze chandeliers hang from above.
The wall frescoes are impressive. They date back to the 19th century. They depict biblical scenes. Gregorios of Symi created frescoes in 1779. These frescoes show Mary, Jesus and the saints. At the back of the church is a fresco. It shows The Last Judgment.
Look for the device of Grand Master d’Aubusson. It is on the western door. There is also an inscription. It shows the dates 1489 and 1490. These dates mark additions to the church.
The church stands on sacred ground. It was once home to an older sanctuary. Marble works reflect its past. In the 15th century a Gothic porch was added. Inscriptions commemorate contributions to the church. Marble seats greet visitors. These were once for high-ranking clergy.
The belfry symbolizes Pierre d’Aubusson. It also symbolizes Jacques Aymer de la Chevalerie. Their crests highlight the 1489 refurbishment. A sepulchral chapel lies through the north entrance. It is the eternal home for venerated individuals. Frescoes depict sacred figures. These are from 1675.
Marvel at the 17th-century wooden altarscreen. Saints and Prophets are exquisitely crafted. Iconic Orthodox scenes reach their zenith.
The 18th century brought more splendor. A bishop’s seat and lectern were added. The interior features a pebbled mosaic floor.
The eastern end of the sanctuary vibrates with sacred paintings. These include the Holy Trinity. They also include the Apostles’ Communion. The dome’s zenith boasts the Pantocrator. Angels and Old Testament Prophets surround it. The four Evangelists maintain vigil.
Each segment of the interior tells a story. Icons of Saints and scriptural scenes adorn the walls. These guide observers to the vision of Judgment Day.
As you stand here remember the Panagias Tower. It is more than just stones. It is a beacon of faith. It is a symbol of Rhodian history. It connects us to the past. It calls us to reflect. It is a true gem of Lindos.