See those four figures? They are called Os Quatro Cavaleiros do Apocalipse, the Four Horsemen of the Apocalypse, and they stand here as a powerful reminder of the fragility of life. They are not just a simple piece of art; they are a poignant symbol of a turbulent time in Portugal’s history. Created in the late 1960s by the Portuguese sculptor Gustavo Bastos, they represent the four horsemen of the Apocalypse described in the biblical book of Revelation, each riding a different mount and representing war, famine, pestilence, and death. They were initially placed in a small garden at the intersection of Boavista and Marechal Gomes da Costa Avenues. However, in 1993, they were relocated to this spot, the Virtudes Promenade, after being replaced by a sculpture titled “Monument to the Businessman”. The Os Quatro Cavaleiros do Apocalipse Sculpture was part of a larger piece, a visual protest, a critique of the Portuguese dictatorship. While the country seemingly maintained order and stability, the country was embroiled in the Portuguese Colonial War in Africa. The sculptures were a response to the “image of stability and order” promoted by the government, and they served as a silent voice of dissent, questioning the narrative of the regime. The Os Quatro Cavaleiros do Apocalipse Sculpture stands as a testament to a period of turmoil, reminding us of the challenges that can arise in the face of injustice and societal upheavals. They are a reminder that even in the midst of darkness, hope and change can emerge, leading to a more just and equitable future.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to