In 1267, a precious gift arrived in Halle. A statue of Mary, bestowed upon the town by the Counts of Hainaut. This wasn’t just any statue; it was part of a legacy passed down from Saint Elizabeth of Hungary. Little did they know, this act would transform Onze-Lieve-Vrouw van Halle into a beacon of Marian devotion. Pilgrims flocked to Halle, drawn to the enigmatic presence of the statue. The existing church couldn’t contain the burgeoning faith. Thus, in 1341, construction began on a grand new edifice, a testament to the power of belief surrounding Onze-Lieve-Vrouw van Halle. This Gothic masterpiece, consecrated in 1409, became the heart of Halle’s spiritual life. The devotion to Onze-Lieve-Vrouw van Halle deepened in 1489. During a siege led by Philip of Cleves, cannonballs rained down upon the town. Yet, miraculously, they seemed to vanish into thin air before striking the church. Legend has it that the statue of Mary, now known as the Black Madonna of Halle, caught the cannonballs in her cloak, protecting the Onze-Lieve-Vrouw van Halle. The scorch marks from the gunpowder, the story goes, darkened the statue, adding to its mystique. Even today, pilgrims visit Onze-Lieve-Vrouw van Halle, seeking solace and inspiration in the presence of the Black Madonna, a symbol of resilience and divine protection. The church, officially designated a basilica in 1946, continues to draw crowds. The legacy of the small statue, given centuries ago, lives on, woven into the very fabric of Onze-Lieve-Vrouw van Halle.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to