In 1959, the Nikodemuskirche Ohlsdorf opened its doors. This striking church became a beloved landmark on Fuhlsbüttler Straße in Hamburg. The Nikodemuskirche was more than just a place of worship. It was a hub for the community, part of the Ev.-luth. Kirchengemeinde Ohlsdorf-Fuhlsbüttel. The architect, Henry Schlote, designed a unique building. The exterior, clad in yellow brick, appeared traditional. Yet, the interior held a modern surprise. Parabolic ceilings soared above, framed by towering concrete pillars. The warm wood paneling softened the industrial feel. Natural light streamed in through hidden window bands, illuminating the altar area. This altar, a masterpiece by Ursula Querner, held a special history. Originally created for the Gemeindehaus (community center), it found its true home in the Nikodemuskirche in 1960. A predella, depicting the birth of Christ, was added, further enriching its beauty. The church’s interior design harmonized perfectly with the altar’s colors. Claus Wallner’s stained-glass windows, a blend of abstract and figurative art, added another layer of beauty. A unique feature of the Nikodemuskirche was the green dolomite wall in the vestibule. Artist Albert Reck carved five Old Testament scenes into the stone. These reliefs depicted stories like the expulsion from Paradise and Jacob’s Ladder. While subtle, they offered a quiet meditation for those entering the church. The Nikodemuskirche also housed a Franz Grollmann organ, installed in 1964. Its rich tones filled the sanctuary during services. Sadly, the Nikodemuskirche held its final service in 2022. Declared “not eligible for funding,” the church’s operating costs became unsustainable for the community. However, the story of the Nikodemuskirche doesn’t end here. The building is being transformed into an exhibition center, ensuring its legacy continues in a new and exciting way. It stands as a testament to the community it served, a place where art, faith, and history intertwined.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to