A curious advertisement in an 1880 Vossische Zeitung announced Rudolf Sternecker’s takeover of Neue Welt. Two days later, the same newspaper heralded the first grand concert at this exciting new venue in Berlin. Imagine the thrill of those early visitors, entertained by the sounds of military bands echoing through the grounds. Neue Welt was more than just a concert hall. It was a vibrant entertainment complex. Think of a sprawling park with an “Indian Hall,” a shimmering pond with cascading fountains, a hippodrome, and an open-air arena. One of the most captivating attractions was the electric railway, a marvel of technology previously displayed by Werner von Siemens himself at the 1879 Berlin Trade Fair. Neue Welt continued to evolve. Around 1900, a grand hall was constructed, capable of holding nearly 2,000 people. This transformed Neue Welt into a venue for theater performances and political gatherings. The SPD and trade unions held numerous meetings within its walls. Countless Vereine and Verbände (associations) chose Neue Welt for their Christmas celebrations, summer festivals, and industry gatherings. By 1910, Neue Welt had become a full-fledged amusement park. Visitors could experience a water slide, a puppet theater, a photographer’s studio, and a thrilling wave railway. The annual Bockbierfest became a major draw, famous not only for the beer but also for the rather unusual competition that awarded a prize for the most beautiful ladies’ legs. During the First World War, Neue Welt served as a hospital. After the war, its role as a political gathering place resumed. Not only the KPD and trade unions used the space, but also right-wing groups. With the rise of the Nazi party, Neue Welt became a stage for propaganda events, even hosting speeches by Joseph Goebbels. After an Allied air raid in 1945, Neue Welt was temporarily out of commission. It reopened in 1946, hosting film screenings and boxing matches, and reviving the popular Bockbierfest. The 1960s brought a new wave of energy to Neue Welt. Beat, pop, and rock music filled the hall, featuring artists like Jimi Hendrix in his early Berlin performances. Even the Berlin left rediscovered Neue Welt as a meeting place. In the late 1970s, the smaller hall at Neue Welt became a stage for international artists like Elvis Costello, Patti Smith, and the Dire Straits. The larger hall hosted rock musicians like Bob Seger and Ted Nugent. By 1982, after numerous changes in ownership and management, Neue Welt closed its doors. Despite attempts to preserve its historical appearance during renovations, the building was transformed. It eventually reopened as Huxleys Neue Welt, continuing its legacy as a venue for concerts and events, carrying echoes of its rich and varied past.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to