Envision yourself in the 1960s, cruising down a sun-drenched Italian street. The wind whips through your hair as you navigate the bustling city on your sleek, stylish Lambretta. This, my friends, is the spirit we celebrate at the Museo Scooter e Lambretta in Rodano, just outside Milan. The Museo Scooter e Lambretta isn’t just a museum. It’s a shrine to the iconic scooter, a symbol of Italian ingenuity and style. It’s the story of a brand that captured the hearts of a generation. The museum owes its existence to Vittorio Tessera, a man whose love for Lambretta began at the tender age of 15. He embarked on a quest to collect every variation of the scooter, a passion that led him to a remarkable discovery. Hidden within abandoned buildings near the old Innocenti factory, Tessera unearthed a treasure trove of Lambretta prototypes, unique models, and historical documents. This incredible find formed the heart of the Museo Scooter e Lambretta. The Museo Scooter e Lambretta houses a comprehensive collection of over 160 scooters. From pre-World War II models to the iconic Lambrettas of the 1960s, the museum traces the evolution of this beloved two-wheeler. You’ll see the oldest Lambretta in the world, a 1947 125A, and the gold-plated 175TV built for Hollywood actress Jayne Mansfield. The museum even has a section dedicated to Vespa, Lambretta’s long-time rival. Beyond the scooters themselves, the Museo Scooter e Lambretta boasts an impressive archive of over 5,000 photographs, 45 advertising films, and original production drawings. It’s a testament to the enduring legacy of Lambretta and its impact on Italian culture. The Museo Scooter e Lambretta isn’t just a collection of objects. It’s a living testament to the passion and ingenuity that brought the Lambretta to life. So, as you explore this remarkable museum, remember the feeling of the wind in your hair and the sun on your face. Let the spirit of the Lambretta transport you back to a time of effortless cool and Italian style.
Nuovo Cimitero di Cologno Monzese
“A timeless sanctuary,” the old woman whispered, her gaze fixed on the rows of marble within Nuovo Cimitero di Cologno