“A king’s folly, a nation’s heart,” the old woman whispered, her eyes fixed on the Monumento del Sagrado Corazón. “That’s what they called it.” We stood on the Cerro de los Ángeles, the Hill of the Angels, gazing up at the colossal statue of Jesus Christ. The Monumento del Sagrado Corazón dominates this hill, its arms outstretched in a gesture of embrace. This hill, just south of Madrid, is considered the geographic center of the Iberian Peninsula. It’s a place steeped in history, marked by both devotion and destruction. The original Monumento del Sagrado Corazón, inaugurated by King Alfonso XIII in 1919, was a symbol of Spain’s dedication to the Sacred Heart. The architect Carlos Maura Nadal and the sculptor Aniceto Marinas y García brought the vision to life. It was a time of hope, a time of peace. But the tranquility wouldn’t last. The Spanish Civil War erupted, and in 1936, the monument was dynamited by Republican forces. Its religious and political symbolism, seen as a representation of the Nationalist-supporting Catholic Church, made it a target. The grand statue, once a beacon of faith, was reduced to rubble. The scars of war are still visible on the current monument and the nearby monastery walls, a stark reminder of the conflict that tore through Spain. But from the ruins, a new hope emerged. After the war, the Monumento del Sagrado Corazón was reborn, even larger than before. Funded by public donations, the reconstruction began in 1944. Architects Pedro Muguruza and Luis Quijada Martínez, along with sculptor Aniceto Marinas, took on the monumental task. The statue we see today, almost identical to the original, was completed in 1965. The 11.5-meter statue of Christ atop a 26-meter pedestal invites all to come to Him. The surrounding sculptures, created by Fernando Cruz Solís, add to the monument’s grandeur. In 1975, a crypt, not present in the original monument, was opened beneath the statue, adding another layer of spiritual significance to this place. The Monumento del Sagrado Corazón stands as a testament to the resilience of faith, a symbol of hope rising from destruction.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to