Gazing up at Maternal II, can you sense the weight of the world pressing down on her? This bronze sculpture, created by Ursula Hanke-Förster in 1979, isn’t just a statue. It’s a poignant portrayal of grief and loss. Maternal II stands as a silent testament to the enduring power of a mother’s love. The sculpture’s original name translates to “Motherhood II”. Now, Maternal II, originally smaller, resides in Berlin’s Neue Wache. It’s a replica of Käthe Kollwitz’s “Mother with her Dead Son”. This enlarged version, crafted by Harald Haacke, was placed here in 1993. The Neue Wache, once a royal guardhouse, now serves as Germany’s central memorial for the victims of war and tyranny. Kollwitz’s sculpture, nestled beneath an oculus, is exposed to the elements. This symbolizes the shared suffering of civilians during wartime. Maternal II depicts a mother cradling her lifeless son. Her hand covers her mouth, as if stifling a cry of anguish. Her face, etched with sorrow, speaks volumes about the devastating impact of war. The rawness of her emotion connects with viewers on a deeply personal level. This sculpture, though small in stature compared to the grand space of the Neue Wache, commands attention. The scene becomes even more powerful when rain or snow falls through the oculus. The droplets seem to mingle with the mother’s unseen tears. It’s a reminder of the harsh realities of war and the profound grief it leaves behind. Interestingly, Kollwitz’s sculpture became a subject of controversy when it was chosen for the Neue Wache. Some argued that it didn’t adequately represent the victims of the Holocaust and World War II. But for many, Maternal II’s universal depiction of loss transcends specific conflicts. It represents the grief felt by mothers throughout history, regardless of the cause. As you stand before Maternal II, take a moment to reflect on the immense power of this sculpture. It’s a testament to the enduring strength of the human spirit in the face of unimaginable tragedy.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to