Eight steel trapezoids surround a white granite column. This is La Ville Blanche a sculpture in Parc René-Lévesque. It’s more than just a pretty sight. La Ville Blanche is a monument to time itself. It’s a subtle nod to Alain Tanner’s 1983 film Dans la ville blanche. The film explores a sailor’s journey to Lisbon a city where time seems suspended. The sculpture echoes that feeling. Its geometry is precise. It’s a carefully constructed circle of shapes. The effect is calming. Contemplative even.
André Fournelle the artist behind La Ville Blanche is a master of his craft. He studied in the US Italy Belgium France and Germany. His inspiration comes from nature geometry and art history. He blends natural elements like water earth air and fire with simple geometric shapes. Think circles triangles squares and crosses. He mixes in influences from Russian constructivism pop art and Viennese actionism. It’s a fascinating blend. A unique style all his own.
La Ville Blanche isn’t just a static object. It’s interactive. The placement of the sculpture is key. Situated between two bodies of water at the end of a poplar tree-lined walkway it enhances the landscape. It invites visitors to stroll around it. To absorb its quiet power. To reflect on the passage of time. It’s a place to relax and contemplate.
The sculpture was created in 1986 for the second Lachine Sculpture Symposium. This event was held on the Lachine Canal banks. It was a chance to showcase art and industry together. La Ville Blanche embodies this theme perfectly. It’s a successful blend of artistic vision and urban design. A thoughtful integration of art and nature.
More than just a sculpture La Ville Blanche is an experience. A moment of tranquility in a busy city. It’s an invitation to pause. To appreciate the beauty of simplicity. To consider the ephemeral nature of time. It’s a truly remarkable artwork worthy of your attention. A true gem of Montreal’s public art collection. So take some time. Appreciate La Ville Blanche in all its glory.