Amidst the gentle rustle of leaves in the trees nearby, we find ourselves before La Maturité – De Rijpheid, a statue that has sparked quite the conversation in Brussels. La Maturité – De Rijpheid, also known as “The Maturity,” has been a fixture near the Marché au Bois and Central Station since 1922. This marble triptych, created by Belgian artist Victor Rousseau, presents six figures. A man, representing maturity or wisdom, stands at the center. A woman, symbolizing fertility and abundance, is by his side. They gaze upon their children, embodiments of youth. The Brussels government recently decided to relocate La Maturité – De Rijpheid. They deemed its representation of family “patriarchal and paternalistic,” not reflecting modern values. This decision was part of a larger redevelopment project for the square, led by architect Bas Smets. The Royal Commission for Monuments and Sites had suggested classifying the entire square, including the statue. However, the government opted for a more flexible “safeguarding” status, allowing for relocation. The planned move has generated controversy. Some argue the statue is an integral part of Brussels’ heritage, important for tourism and artistic history. A petition to keep La Maturité – De Rijpheid in its current location garnered over 1,000 signatures. The government defends the decision, citing the redevelopment and the statue’s outdated portrayal of family dynamics. They propose moving it to Gutenberg Square in Saint-Josse. In its place, a new feminist artwork will rise. Created by Aglaia Konrad, “Rückbaukristalle: a Monument for the City,” will be constructed from construction debris. This symbolizes the “paradox of urban redevelopment.” It also offers a feminist reinterpretation of urban planning, traditionally a male-dominated field. So, as we stand before La Maturité – De Rijpheid, we witness a piece of Brussels’ history at a crossroads. Its relocation sparks questions about how we interpret art, heritage, and evolving societal values.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to