Kunsthalle Mannheim

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Ever wondered how Mannheim became home to one of the world’s first civic collections of modern art? That’s what the Kunsthalle Mannheim is all about.

Standing here, you’re facing a museum with a rich history. The Kunsthalle Mannheim opened its doors in 1909. It quickly became a pioneering force in Germany’s museum landscape. This was thanks to its innovative collection concepts.

The Kunsthalle’s story began even earlier. In 1907, Hermann Billing designed the building for Mannheim’s 300th-anniversary celebration. What was intended as temporary became a permanent home for art.

Just a year after opening, in 1910, the museum made a significant acquisition. Fritz Wichert, the founding director, secured Édouard Manet’s “The Execution of Emperor Maximilian of Mexico.” Nine Mannheim citizens helped finance this important purchase.

The Kunsthalle’s focus on sculpture began in 1921. Jewish patron Sally Falk donated his Lehmbruck collection. This established a key area of strength for the museum.

In 1925, Gustav Friedrich Hartlaub, the second director, created the “New Objectivity” exhibition. This showcased realistic painting from the late 1920s, cementing Mannheim’s place in art history.

The Nazi era had a devastating impact. In 1937, the National Socialists confiscated 91 paintings, 8 sculptures, and 466 works on paper deemed “degenerate.”

After World War II, Walter Passarge worked to rebuild the collection. He focused on repurchasing lost works and acquiring new pieces. Abstract painting became a new area of focus.

Heinz Fuchs led the Kunsthalle from 1959. He gained nationwide recognition for the museum through premieres of artists like Francis Bacon. He also expanded the international sculpture collection.

In 1969, Constantin Brancusi’s “Big Fish” found its home in the art nouveau building’s domed hall. This further enhanced the museum’s reputation.

The Friends of the Kunsthalle formed in 1977. This group grew to nearly 2,000 members. They primarily acquired contemporary art for the collection.

An extension by “Lange Mitzlaff Böhm Müller” opened in 1983. It added space to display the growing collection.

Manfred Fath founded a volunteer-run museum shop and exhibitions GmbH in 1990. This helped finance public exhibitions and acquisitions.

Rolf Lauter expanded the collection to include photography and video art in 2002. He branded this new direction as “New Kunsthalle”.

Ulrike Lorenz became director in 2009. Her tenure focused on overall renovation and new construction.

In 2012, Hans-Werner Hector, co-founder of SAP, donated 50 million euros for a new building.

The reconstructed skylight galleries reopened in 2013 with “Dix/Beckmann: Mythos Welt.”

The new Kunsthalle opened on June 1, 2018. It featured a restaging of the collection and new site-specific works.

Johan Holten became the director of the Kunsthalle Mannheim on September 1, 2019.

Today, the Kunsthalle Mannheim boasts an impressive collection. It includes about 2,300 paintings, 860 sculptures and installations, and 34,000 graphics. Masterpieces from Max Beckmann to Francis Bacon are highlights. The sculpture collection features works from Auguste Rodin to Thomas Hirschhorn.

The Kunsthalle also presents a variety of special exhibitions each year. These range from modern to contemporary art and graphic art. In addition to art, visitors can admire the architecture. Hermann Billing’s art nouveau building from 1907 and the Hector Building create a stunning setting.

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