Gazing up at the towering steeple of Immanuel Evangelical Lutheran Church, one might hear the faint echo of bells inscribed Glaube, Hoffnung, and Liebe. These German words for Faith, Hope, and Charity were a gift from Empress Auguste-Victoria of Germany. Immanuel Evangelical Lutheran Church stands as a testament to the German immigrants who built it in 1886. The church’s Gothic architecture evokes northern European styles of the late 19th century. Inside Immanuel Evangelical Lutheran Church, the nave stretches 100 feet long, 60 feet wide, and rises 75 feet to the rafters. The intricately carved chancel woodwork, crafted in Germany’s Black Forest, demands attention. Light streams through stained-glass windows, installed in 1973, designed by Benoit Gilsoul and fabricated by Helmut Schardt. These windows offer a visual interpretation of the Te Deum Laudamus hymn. The church has seen several organs grace its sanctuary. The original 1886 Roosevelt organ, described as having a “rich and imposing appearance,” was replaced in 1907 by an Odell organ from a Presbyterian chapel. A 1953 Wicks organ followed, showcasing the company’s patented Direct-Electric action, even featuring a window to observe the mechanism. This organ was then rebuilt in 1989 by John L. Randolph, adding new stops and ranks, enhancing the already resonant acoustics of the rear gallery. Immanuel Evangelical Lutheran Church continues to serve as a Lutheran presence in Manhattan, offering Sunday and Wednesday services. It’s a place where faith, hope, and charity resonate through its history, art, and music.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to