Opened in 1988, the Igreja Nova de Aldoar stands as a testament to the evolving needs of a community. This modern church, also known as Igreja Matriz Nova de Aldoar, replaced the smaller Igreja da Vilarinha. The Igreja Nova de Aldoar is much larger than its predecessor. It can accommodate 560 seated worshippers and an additional thousand standing. The architect, Alfredo Moreira da Silva, designed the Igreja Nova de Aldoar in a unique tent-like shape. He envisioned it as a welcoming space, symbolizing a place of gathering, transition, and communion. Imagine being embraced by its symbolic canvas. The construction of the Igreja Nova de Aldoar was a significant undertaking. The project cost 63.3 million contos. It received substantial government support of 28.295 million contos. The church’s history reveals a story of perseverance. The initial construction began in 1972 under Father Caetano Pacheco de Andrade. However, after the walls and a side corridor were erected, the project stalled. It remained unfinished and deteriorating for years. In 1985, the new parish priest, Father Lino Maia, revitalized the project. Against all odds, the Igreja Nova de Aldoar was inaugurated on March 27, 1988, under Bishop Júlio Tavares Rebimbas. The Igreja Nova de Aldoar houses notable artwork. A large bas-relief depicts Saint Martin sharing his cloak with a beggar. This piece, created by sculptor and professor Gustavo Bastos, greets visitors as they enter. Another artwork is a sculpture of the Virgin Mary by Irene Vilar. This youthful portrayal of Mary, seemingly floating above clouds, was cast in bronze by Fernando Lage. It stands as a powerful tribute to Vilar’s artistic vision.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to