From the shimmering Italian Carrara marble of its exterior to the single central spire crowned with the angel Moroni, the Iglesia de Jesucristo de los Santos de los Últimos Días in Madrid stands as a beacon of faith. This temple, often called part of the “Temple Square of Madrid,” is more than just a beautiful building. It represents decades of dedication and the unwavering faith of Latter-day Saints in Spain. The Iglesia de Jesucristo de los Santos de los Últimos Días was the first temple of its kind built in Spain, dedicated in March 1999 by Gordon B. Hinckley. Its dedication was a momentous occasion, a culmination of years of hope and hard work. Tears flowed freely among the Spanish pioneers who witnessed this dream come to life. The temple complex also houses a stake center and patron housing, creating a central hub for the Church community. Inside the Iglesia de Jesucristo de los Santos de los Últimos Días, four instruction rooms, four sealing rooms, and a baptistry serve the spiritual needs of members. The temple’s history is intertwined with the story of the Church’s growth in Spain. Missionary work began in earnest after a 1967 law granted religious freedom. Clark Hinckley, son of President Gordon B. Hinckley, was among the first missionaries sent to Spain. This marked a turning point, paving the way for the eventual construction of the temple. A unique piece of art resides within the foyer of the Iglesia de Jesucristo de los Santos de los Últimos Días: a Lladró figurine of the Christus statue, commissioned by the Church. President Hinckley presented a similar figurine to the King and Queen of Spain during the temple’s dedication, a gesture symbolizing the Church’s respect for the nation and its people. The Iglesia de Jesucristo de los Santos de los Últimos Días stands as a testament to the perseverance and devotion of the Spanish Latter-day Saints. It is a place where tears of joy were shed, where dreams were realized, and where faith continues to flourish.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to